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  • September 23, 2004

    Barkha Dutt and her time-out crib

    Barkha Dutt
    [Pic: tribuneindia.com]

    Barkha is highly impressive with a mike in her hand. The comparable Christiane Amonpour of India. One of the stalwarts of NDTV and also a household name in Indian news. For the kind of fabulous reporting she does on NDTV she can just walk away with the best news correspondent award every year.

    I’ve been a fan of her talk show We The People for a couple of years. We the People focuses on the hot topics of the contemporary political and social scene in India. She manages to get the best of minds appropriate to the topic selected and she definitely does a good job in forking the time/space between the opposites in the show. Its a show that will grow on you and you would even street fight with your folks to get hold of the remote on Sunday evenings. The same time Kushboo does the Jackpot show on Jaya TV and hence the street fight.

    Last week, the topic on the hottest and very concerning topic of Reservation of Jobs in Private Sector. Thats enough to rake up the show. From Dalit activists to sociology professors, there were more than enough chief guests carefully selected to deal this rather very sensitive topic.While the group churned out some nice points on both sides[for/against reservation], I loved what GurCharan Das had to say.

    GurCharan Das, the former CEO of Procter & Gamble, also a leading columnist in Times of India, answered to a query of giving away 2% of all the private companies profits to backward caste students, thereby enabling the government to start more schools for the backward castes. GurCharan remarked, why would the backward caste guys get public education even when the private sector contribute so much to the education. He said the private sector would surely give away more than 2% of their profits and those students who are from backward classes should be allowed to study in any school they feel like. Be it the Dhoon school to the Don Bosco they should be given the best of education. A reply with lots of foresight. He is certainly one visionary.

    Back to point, Barkha Dutt seems to be too bothered about the time running away and literally cuts short some interesting conversations between the guests. That seems to be dull side of the show. If a guest comes over to the show, he should be given ample time to convey his ideas and also he needs time to talk against his counterparts ideas. Rather it seems like Barkha conducts a GD interview and the one who interrupts at the right time with the right stuff gets full scores. With the show being such a hit on NDTV why would those guys at NDTV crib so much to extend the show to an hour and half. Instead of the same news getting repeated every half hour, this one is better alternative. Would Barkha/NDTV get it done ?

    More:
    Barkha Dutt – A Profile.
    Her Interview to The Tribune.

  • September 22, 2004

    Kamalhassan’s Confessions of the Assassin

    Kamalhassan
    [Pic: thehindu.com]

    Kamalhassan, in his interview to The Hindu, makes a mention of Hey Ram‘s english version called Confessions of the Assassin. He leaves it to the assumption if it’s a remake or a dubbed version. But to read between/upon/downunder the lines, it looks like its a re-make. I hate to make this assumption because it could very well be a dubbed version. However, he says it been made on a limited budget and he is in agreement that Hey Ram should have been made on a shoestring budget.

    Personally, I think, Hey Ram is one of the most stupendous movies he ever made. It had to it many abstract theologies that he advocated without being obvious and he did a good job of making it in big budget. Just because the movie failed in the box-office none[including him] can think it could have been made with a tight budget. Kamal along with Bharath Shah[who produced it in Hindi] did spend a huge lump of money for Hey Ram. However, the portrait of Sagetharam which he weaved so lavishly was definetly worth it.

    Hey Ram had some superb talent to it. Be it Kamalhassan himself, Illayaraja who orchestrated the music for Hey Ram in Hungary, Thiru who did a great camera work, Shahrukh, Rani and many more.

    If this Confessions of the Assassin could get a good notice in Hollywood, like Bend it like Beckham, Kamal’s long term dream of Marudhanayagam has chance to get a re-birth.

    Incidentally, he also mentions Marudhanayagam while saying, It is a nice movie that has to be released in Tamil, English and French. My investment of Rs. eight crore is totally blocked. It should happen very soon. Read more from his interview, No stopping him.

  • September 22, 2004

    Chennai Bloggers Fly High

    Today’s Hindu spotlights on Chennai Bloggers and their Blogs in an article named Here, the possibilities are mind-blogging. Karthik Subramanian writes – The proliferation of broadband brings good tidings for the future, bloggers say. There will be voice blogs, video blogs … the possibilities are mind-boggling. Or should we say “mind-blogging”.

    Kribs and Chandra Choodan alongwith others get a warm mention. Read More.

  • September 21, 2004

    Katha Kelu Katha Kelu

    Last evening, while me and my friend were yapping on tamil cinema, we stumbled over a question on good title songs in tamil cinema. While it’s no more a fad to have songs in the title, we have had many good numbers as title songs in the yester years. Both of us, spontaneously, could recollect only four good title songs. The first was the good Illayaraaja number Katha Kelu from Michael Madana Kama Rajan then it was Kaathal Kasakuthaiya Indiran Vandadum Chandiran Vandadum from Pandiyarajan’s Aan Paavam, Amman Koil Kezhakaaley from Sakalakala Vallavan and finally A R Rahman‘s Vellai Pookal from Kannathil Muthamittal.

    Though there were few more like the one in Panakaaran, Manithan and other MGR/Sivaji stuff, these four were the ones that came to our mind without much thought. If only you can re-collect three good title songs from tamil cinema, thanks for that. No Googling, no Raaga no nothing. Sheer memory.

    P.S – If only you can get three, you get a gmail invite. Hey, I hear you whispering THODAA. But guys, if not for the invite, be game and give it a shot.

  • September 20, 2004

    The Cola War. Gossip In’corp’rated ?

    [ by Latha (lathsmail@gmail.com) ]

    A Brief Intro – Latha from Bangalore, a vivacious dudette living a full paced neo-urban tech life in Bangalore with full-throttled thought process, enjoys Sujatha’s writings as much as she loves the protagonist Slade from Desmond Bagley’s spy fiction, a veena instrumentalist, an ad fanatic and a film lover, as her hobby goes long enough, dreams of making the best out of her Indian middle class values, in the years to come.

    The Cola War. Gossip In’corp’rated ?

    The warring companies perspective : Are we really doing things that match our core competencies? How effective are our advertisings? Is it the content that is effective in measuring top of the mind recall that triggers a cola bottle sale or is it an object of discussion and ridicule? Are we identifying brand comparisons or celebrity identities? Are we promoting them or are they promoting us? What is the value proposition to a consumer from our product and is it what they get from the advertising campaigns?

    We could have entered as a foreign brand to very culture oriented society where the buy decisions are governed by pockets and hearts that make the decision. So does our brand appeal to the heart and pocket that has an expectation of a thrilling experience and of-course for less? Do we really investigate the cause and effect of campaign and whether it was just a source of business to the media and all the new overnight celebrities who are gobbled by our purchasing power and speed to buy them before they open their thoughts? Do we remember that a soft gentle touching and cute advertisement of an Aamir with a dilemmatic choice of Miss world and Ex-Mrs. Paes still has a quantifiable recall over an Azharuddin-Jadeja eating wood? (Yes! but this time in the woods)Do we think of the consequences of buying huge budget celebrities for that day who become overnight zeros when we attached our image of a hero with them? Do we really understand culture and what makes a Frooti sail smoothly despite the shelf being stormed by the giant name bottles? Did the macho taste the thunder stay? Did the change of the thirst quenching Limca wander into nowhere?

    Do we remember the days when we collected thumps up crowns with cricketing star pictures and stuck them all over the place just to earn a bat that fell of the shelf and dissolved like POP (oh yea, it was the Kapil Dev, Sunny Gavaskar, King Richards signature memento) Oh! did we forget we sold zillions of crown caps and not the thunder? Do we recall, Gold Spot – the zing thing is still in our cherished memory though it often reminds us of the Jungle book? Are we learning to protect our forever brand status or leading ourselves to an in-distinguishable status leading to brand dilution? Do we see that the forever brand status of Polaroid is just becoming foregone in the history book titled ‘Death of a Company thought the brand lives forever as a name!’ though can be for reasons so different but could Polaroid’s marketing learn what the market wanted and what they delivered and was it timed? Well, it’s a learning process. For now we cant spend our time revisiting strategy. Let us just get on with our tactical day-to-day battles and eventually war not with competition but our own strategy!

    Times might change, people could get modernized and wish the internet also delivered bottles, but the Indian family culture though might seem like a movie ending, always ends with a classic touch of a tear that travels the cheek. Yes till such time India isn’t the sentimental and emotional India, till such time that people think of a Diet cola and stop the calorie hunt in a calorimeter or till such time the bottles and cans reach the deepest interior of one man’s land where he is sitting alone with a wireless handheld with a cola next to him (he may not even have electricity to drive the bulb mind you), we can always ignore easy, simple advertisements. We can always ignore the possibility of a tired husband coming home replace his Narasus Coffee with a bottle of fresh kiss. We can always ignore the social marketing benefits. We can ignore the possibility of furnishing the seats in local trains with our logo attached to it. We can ignore the potential of putting funds in landscaping a garden and having small billboards that say, it is from the cola company. We can always ignore the possibility of daily wage spinner who constitutes probably the entire database of a census sporting a cute small bottle of refreshing cola and say’ aaaah, ye mera cola! Coca cola (COKE? Please send me my paycheck for this free advt! 😉 OR! Am I the next celebrity here?)

    Don’t go! It is the media‘s turn to reflect – We are delivering the goods. Yes the company likes it, the celebrities like the fat paycheck and we are happy with the sales turnover. Yes we do wish that the celebrity we sign up vanish the next day to help us sign new comers who score two consecutive fifties but disappear into oblivion for reasons only our dear selectors can tell. We are giving what the companies want- excitement. So what if the focus group that we administered the campaign showed tremendous revenue in our regression but was randomized without matching. We deliver what they want but why should we be concerned if it doesn’t trigger purchase? It wasn’t our deal to deliver end customer delight? Let them battle, and we shall win!

    I know it is getting a bit stretchy! But don’t forget the celebrities: Hey come on! It doesn’t matter if it brings a lot of professional discomfort. It doesn’t matter if the ad fails and tampers my personal image? I made the money I needed for today! So what if in the process of reinstating my status of the Icon that I am, Porter’s model comes into play? So what if the bargaining power of the media and company is more to sign me up for another campaign? At least I get the chance of a comeback. I need my presence no matter what. I don’t mind if in the corporate battles I become a pretty monkey though the original intent was to associate me with my sentiments and love to nature’s belongings.

    Oh come on! It is the corporate loud speaker‘s turn: I proclaim my aggression, make my presence felt and word my vigor and enthusiasm to collide head on with my competition and will make bold statements. After all I am a loyal-faithful company person. I shall always remain with my cola. It doesn’t matter if I blow up my chances of seeking an elevated position in my competing cola company. I don’t mind the vibes? And I know the cola companies would always give me a chance to exchange my seats and become their loudspeaker to talk about and against what I said from here! Celebrities are perishable, not me……

    The consumer – You and me! – Ada Innaba Cola Shola. Namba Nair Tea, Masal Vadai Maadiri Varumaa.

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