
It’s the time of rehashes. With the recent kollywood heroes(namely two, guess who ?) movies being re-made from re-made movies, Gandhi Krishna has certainly delivered a re-hashed movie, with lots of interesting moves in the script. Chellamay, may well be called Kadhal Konden 2.0, except for variance the director has shown in the script and the backdrop of the movie is a lot different from the original.
If Selvaraghavan, used a orphan kid, to talk about possessiveness, love, affection and sympathy between the kid and a girl of his same age, Gandhi Krishna makes a similar relationship a little complex. The girl with whom the protagonist or anti-hero(however you may call), is related to, is an elderly mother-figure for him. Worse, she is also married. So we have a true hero here, too. However one is prone to get miffed by the perplexed situations that doesn’t tell you for a long time, how the hero considers his relationship with girl.
