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  • July 17, 2004

    Tragic Kumbakonam Fire Accident

    There can be no adjective to qualify the fire accident that happened yesterday. The Mahaamaham temple town Kumbakonam‘s worst fire accident took away close to 90 lives. All of small kids. If you were watch the tamil television yesterday and the whole of today this kumbakonam disaster has occupied the space.

    Being associated to kumbakonam through my relatives, I personally feel the pinch. But it isn’t necessary to be associated to mourn for such an incident.

    Except for The Hindu daily, nobody from the media have even warned of the graphic scenes that were displayed from this accident. The Hindu did put up a box news that photographs displayed could cause distress to the readers but the enormity of the accident makes such visual news presentation unavoidable. Three Cheers guys, for their professionalism.

    Although, we need to pat the media for the importance that they have given for this news. Jennifer Arul on NDTV was on tears when she reported and walked through the debris in th accident spot. Even the news reader who was watching the video was on the edge of tears. Not to ask the people in the house, who were all upset and in tears witnessing the horrible happening in the television.

    People’s prayers from all over the world for this incident will be the only solace for the parents of the kids who died. Nothing else can match the prayers.

  • July 15, 2004

    Saghalai Vs (Semma) Raghalai and other media mocks

    Sagalai vs Ragalai
    [Pic : Vijay TV]

    Chinni Jayanth and Santhanam are back to rock the Sagalai Vs Ragalai show in Vijay TV. That guy Ragalai (Santhanam) is extremely funny and has superb timing for his comedy. This show was stopped long time back. Now, they are trying to give it a 2nd life.

    The most talked about political talk show Makkal Yaar Pakkam was stopped abruptly in the same Vijay TV. No clue why they stopped it. Probably not much is going on socially and politically here except the Kutti Saamiyaar and Budget.

    The kid is called Kutti Saamiyaar & Bala Sanyasi by tamil and english dailies respectively. Let the name be whatever but I think it’s should be a case of Child Labour.

    Talking about budget, last week in a very ‘famous’ tamil daily, Rabri Devi calling Laloo’s railway budget as the best railway budget ever, was a big box news. Was that a mock or serious news reporting ?. If it wasn’t a mock, I pray to nanganallur anjaneyar that the reporter gets tranfered to rajasthan to report on camel feeding techniques.

    Today’s FM played Kaadu Potta Kaadu from Karuthamma. While listing Vairamuthu‘s songs, this was also one hell of a song that should be included. It talks about the pains of a villager and his lifestlye. Bharathiraja‘s rocky voice really sounded well. I know that Vairamuthu got a president award for Poraaley Ponnuthayi from the same movie. This one also deserved one.

    “Fantasy films are not for me. I can’t do films that I can’t relate to. Middleclass is my milieu. That’s why it’s a recurrent feature in my films. And when your subject is middleclass, it can’t be removed from reality. So the earthy feel comes naturally.”

    Nagesh Kukoonor, the guy who brough in a paradigm shift for independent movies talks to hindu on his second serving of Hyderabad Blues. Having been inspired by Hyd Blues during my college days, I am waiting to get some time to watch Hyd Blues2. More here, Blues Boy.

  • July 13, 2004

    Happy Birthday Dude!! – Vairamuthu

    Vairamuthu

    Pachai Kiligal

    Need I say more than quoting him from my favorite all time song from Shankar’s Indian. This guy from Vadugapatti in Theni District has already reached Sahitya Akademi for Kallikkattu Edhikasam (The Epic of Kallikkadu), with his magical pen.

    Apart from his well known, most popular association with AR Rahman, Vairamuthu is also equally known in literary circles for some of his good contributions during yester years. His first work in Tamil literature called Vaigarai Megangal was a runaway success. His modern poetry called Kavirajan Kathai, detailing the life of Poet Bharathi is also regarded as a great contribution to Tamil literature. I’ve my own set of favorites which includes the autobiographical Indha Kulathil Kal Erindhavargal and Sigarangalai Nokki.

    From that Idhu Oru Ponn Malai Pozhuthu in Bharathiraja’s Nizhalgal, Vairamuthu has become a mainstream lyricist for Tamil movies. He and AR Rahman rocked the Tamil music scene for over a decade. My list of songs by A R Rahman and Vairamuthu combo would run pages. They include Pachai Kiligal – Indian, Pachai Niramey – Alai Payuthey, Ithu Annai Bhoomi – Bombay, Kanukku Mai Azhagu – Pudhiya Mugham, Vellai Pookal – Kannathil Muthamittal, Minnale – May Madham and so on.

    I can’t stop myself from quoting my most favorite song of Vairamuthu. It’s Pachai Kiligal Tholodhu from Indian. The lyrics celebrate life, the pleasures and sorrows of life and finally quote the joy of life in totality. Unmatchable lyrics combined with that beautiful flute interlude of A R Rahman where Indian Thatha dances clandestinely inside the potter’s mud.

    Chinnanchiru Kootukkuley
    Sorgam Irukku
    Ada Chinnach Chinna Anbil Thaney
    Jevvan Inum Irukku
    Pattampoochik Kootathukku
    Patta Ethukku
    Ada Paasam Mattum Podum Kanney
    Kaasu Panam Ennathukku

    Happy Birthday Vairamuthu !!

  • July 12, 2004

    Chennai gets ‘median’ised !!

    The Chennai that I left back is never the Chennai that I see today. That’s a common statement that we here from NRCs [Non Resident Chennaites] who keep rambling that how good Chennai was in those days when compared to the present. On the other hand we have these patriotic Chennaites who vow to live and die in Chennai even if there is an acute water scarcity. And if you ask them why, they would reply that Chennai still remains the heart of cultural /conservative India.

    Apart from the New Yorker restaurants, Leather Bars, the Pasha discos of Park Sheraton and the re-opening of EC 41 on the East Coast Road there are quite a few things that’s makes Chennai better and even the so called patriotic residents and the NRCs fail to capture.

    One such amazing thing is the drive to build a median from Guindy to Tambaram on the GST Road. From Tambaram it gets connected with the existing median that runs from Tambaram to Chengalpat. This new median stands at 3ft in height and 2 ft wide and is mostly continuous from Guindy to Tambaram. What’s the big deal about this?

    The median that is built now is being made of cement with huge rocks and building blocks. It is also artistically curved at the ends that give a nice appearance. It isn’t one of those yellow painted grills laid as median, which you often find in Chennai. We used to jump over them when we go to colleges. Super heroes, huh!! Those are old humbug solutions. This one seems like a long time solution, probably.

    And the interesting thing (!!) really, is that there are water pipes running inside these medians and there are these hanging plants/crotons that are planted throughout the whole stretch. Give another 2 months and see the drive from Guindy to Tambaram becoming a scenic ride to glory with all those greenish plants hanging in from the center of the road. Already Hutch, Airtel and most of this money spinning (read sucking) companies are adopting these medians for a particular distance. They pay the gardeners and make sure the plants are properly maintained.

    The only hitch that I see here when some lorry driver who is on his high should crash onto these medians thereby damaging the median. I don’t have high hopes on the highways dept to repair all such damages immediately. Such acts may bring us back to square one.

    But we are talking about the hanging gardens of Chennai here. Finally I am happy to get a scenic bike drive on the GST road to my workplace. I would love to have it soon.

  • July 12, 2004

    Aayitha Ezhuthu titles – an easter egg?

    Guest Blog #22- Anand C

    I’ve heard of programmers dropping little “easter eggs” in their code that only they know of… things like a funny face appearing if the 29th of February falls on a Friday… or a Pixar character’s eyes modeled after an ex-girl friend…

    But Pradeep told me today (when we were catching up after a long time) about this easter egg in Aayitha Ezhuthu‘s titles – apparently the way the titles appear and blur out are the same as the the way the vehicles drive past the protagonists in the famous Napier bridge scene, but with a mask over the top-view camera.

    Anyone noticed it? I for one missed it the first time…

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