**Hasn’t been spell checked. Was just blowing some gas. Read at your own risk**
The latest picture postcard of Rajini[looking energetically as in Billa/Mr Bharath] in Sivaji makes me fear that this Shankar flick will also turn out to be another Baba. Baba was a flop mainly due to the hype that was created by media. Now that blogs are trying to match the media in every other area, news is spreading like nobody’s business on blogosphere.
If only someone kept track of that picture, it would possible be the most e-mailed picture in the last week or so. I got atleast 6 forwards of the same picture from various newspapers. Sujatha and Shankar should be grinding their teeth to catch hold of that photographer who paparazzi’ed the whole thing. Me too. Just because I am going to miss the surprise of meeting the ‘old’ rajini in a ‘new’ movie. Starting now, we will have numerous stories floating around on Sivaji that would even entice Shankar to include in the original script.
I was also bloddy irritated about Selvaraghavan’s pre-release marketing of Pudhupettai. While making a whole movie on gangsters, an interview that’s sounding as cheap as, “This is a special movie for Sneha. She is acting as a prostitute. It would be a milestone in her career”, doesn’t suit. For someone like him, I would expect a rather sublime interview and not being so obvious about the characters which spoils the whole fun of watching a movie. I care a damn if its a milestone for Sneha or not. Especially not before the movie. The pre-release marketing should only being hinting at what the movie is aiming to do. Whether its going to be a milestone or not is for the audience to decide. Also this attitude of glorifying someone is he shaves his head or he acts with lungi or if a heroine acts with a saree through out a movie, doesn’t stand a chance to make an impression. Come on dude, I’m expecting Pudhupettai should do atleast 50% of what Marti’s GoodFellas did to Hollywood. If only its turning to be a pot boiler, I’m no more bothered. BTW, Pudhupettai has many context based songs/themes that may not be once-more numbers but they will sure be an enjoyable watch.
Roger Ebert’s