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  • February 22, 2006

    Jeeva, R B Chaudary’s son,

    Jeeva, R B Chaudary’s son, seems to be a natural actor. Couple of days back, I watched his first flick Aasai Aasaiyai and some parts of his latest flick , Dishoom. He is completely cool about his on-screen presence which I think most of our new generation heroes fail badly. Either they have to keeping moving on screen or they have to do something to hide their nervousness. Jeeva seems very very cool and his dialogue delivery is so natural that Vijay / Ajith / Simbhu can rightaway take join a two hour training session with him. And yeah, he is pretty tall and also capable of some good kollywood’s gyrating dances.

    Contrary to the public opinion, I disliked his characterization and his performance in Ram. And the movie sucked so badly that I wished it was never taken in the first place. If only he could sign-up for the ‘right movies’ unlike Ram, I’m sure he is going to hang around for some more time to come.

  • February 22, 2006

    Was listening to an old

    Was listening to an old favorite, Minsaaram Enn Meethu Paaikindrathey from Vidhyasagar’s Run. Absolutely elegant music with amazing use of percussions. The rushing tempo is also maintained throughout the song.

    Harish Raghavendra was at his very best. Sadhana Sargam has been my favorite ever since her hindi debut except that her Tamil sucks. Azhagan becomes Alagan and so on. But then, I only wish she could get the pronounciation straight. Astounding voice. I think the guy who shouts Kaadhal Seeyae(continously) and the humming before the first saranam is the one listed as Jack Smely. What a team effort.

    This was a personal favorite for a group of friends and we would listen to it all the time while driving. Forgot it somewhere down the line but enjoyed it thoroughly today.

  • February 22, 2006

    State of Tamil Literary Reviews – Kutti Revathi

    kutti revathi 2
    [Pics – Theeranadhi]

    How much ever I dislike to talk about the petty issues surrounding the Tamil literature circles, Kutti Revathi’s interview to Kumudam’s Theeranadhi was more meaningful than just throwing duppatas. This interview is a must read if you understand what the paragraph below is trying to convey.

    kutti revathi

    I completely agree with these statements made on the state of tamil literary reviews. Especially the last 4 lines draws a vivid picture. And before you start reading the complete interview, I have to say this, What’s said here is also applicable to Indian Blogosphere.

    P.S – Just in case you login to Theeranadhi to read the interview don’t miss, Kamala Pudumaipithan’s re-collection of pudumaipithan days.

  • February 19, 2006

    And again…

    4-1. The robot playing with the name of Mahendra Singh Dhoni did the magic. Looking like Anniyan Vikram, this guy is certainly a robot. I haven’t seen such effortless sixers since Robin Singh. Every single minute of the last hour was so exciting.

    And Yuvraj is becoming a sort of Michael Bevan, a run machine. Just that he doesn’t come in as 7th down.

    P.S – While Dravid would be the most happiest person now, he should think about not throwing his wicket with such bad shots.

  • February 16, 2006

    Books from Chennai

    I’ve been constantly asking friends to buy tamil literature books that I couldn’t get here in the US and they have been sending them in regular instalments. Now I seem to have books for more than a year’s worth of reading as I’m still waiting for to the next set to arrive.

    Last week, some more books from Chennai, arrived. And I was waiting to get my hands all over them. This set includes this year’s most talked about books in The Chennai Book Fair 2006. The most expected was Aathavan’s Shortstory Collection with which I now own all of Aathavan’s works published recently. I know I’ve been rambling about Aathavan for sometime now and that’s because of a simple reason, thamizh kurum nallulagam has missed a great writer and given him to the floods. I have just started to read this one but I’ve to say Kizhakku Pathippagam has done a noble job of compiling the aathavan’s shortstories to feed his hungry fans. Indra Parthasarathy’s foreword where he talks about his student Aathavan, clearly details the sorrow of missing a great writer.

    Aathavan had a unique style which I couldn’t compare to anyone before or even after him. I have this feeling that no one, literally no one details the middle class urban life as we see and live it. Sujatha to a large extent came closer to this. However, some of his urban stories moved away from the middle-class life that some(!!) of us lived. They moved away into a fantasy world which makes you earn for a middle-class life like that. Sample, the scene where Arvind Swamy smokes before his mom in Roja. Didn’t most(!!) of us think, what a cool idea it is to have a mom like that ? Whether its morally/physically wrong or right, didn’t we feel that the conversation they had in that scene, however exaggerated it seemed, was so damn cool. That’s Sujatha. Aathavan was a little different. He wrote and wrote about the urban family life and he wrote it just like that. Just like that. The exaggerations were minimal. In this arena, we don’t have a author in Tamil, parallel to Aathavan.

    In Chennai Book Fair 2005, when I was in Kizhakku Pathipagam stall, a co-blogger introduced me to a gentleman, Era Murukan. While I knew nothing about him, to my surprise, he knew about Lazy Geek and spoke in length about Tamil writings. He said he worked for a software company and was extremely humble. As a foot note, he also mentioned that he wrote a book which was published by Kizhakku Pathipaggam. Though I believed it, the writers whom I’ve met before was nothing like him. He wasn’t dressed in a Veshti/Jibba and didn’t have a jolna bag like me. I moved on after talking to him. Now when I read his Moondru Viral, I wish I read this book a year back. Amazing details and vivid descriptions. Will complete the book and will certainly put up a post on this book.

    Alpha is also one of the books that came along in this set. I am still awaiting to get Sujatha’s Collection Of Plays and Sujatha Kaelvi Pathil Part 1 and 2. Though I’ve read most, infact all, of Sujatha’s plays, this one will be in my collection. Sujatha virtually wrote all his plays only for Poornam Vishwanathan. Though Sujatha’s plays are unknown to the outside world, his play named Dr. Narendiranin Vinotha Vazhakku (The Weird Case Of Dr. Narendran) is a class apart. If only theatres groups like EVAM could play such unique plays, the world outside Chennai would discover a playwright in Sujatha.

    A zillion thanks to Ramki for getting these books straight from the publishers.

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