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  • March 27, 2006

    Yeh Jo Des Hai Tera !!

    “NRIs love the re-immersion into Indian culture, the affordability of food, household help, the improved quality of life and spending time with the family.” It may not be a homecoming for NRIs at first. But, after a while they slide back into life in India and seem to harbour no regrets about the relocation.

    “It’s more cost effective for a company to open offices in Chennai than say Bangalore. A lot of MNCs went to Bangalore at first and now the city has peaked. Chennai is a late starter but it scores higher today with better infrastructure, cheaper living, a strong talent pool and a better work ethic.”

    Read the Metro Plus column, Back to belonging.

  • March 27, 2006

    Pick-up the key and unlock

    Pick-up the key and unlock the hunter. He is all set to find his new buick. Good cop.

    Via Keerthi.

  • March 26, 2006

    Niruthanum…Ellathayum Niruthanum !!

    thalapathi

    Filled with tight close-ups and trolley shots, the 5 minute sequence where Deva – Surya meet Arvind Swamy, is probably one of the best edited scenes in kollywood. The broad view of Arvind Swamy’s office is never shown until the conflict happens. Until then the camera just captures the emotions on the faces. As the trolley moves and the camera comes behind someone it cuts surprisingly to another face. May seem to be an old technique now but then it was so new.

    A true team effort from the cast, Mani Ratnam, Suresh Urs and Santhosh Sivan. Illayaraja seems to have provided ample support with a perfect silence during the close-ups. Classy.

  • March 26, 2006

    Night Shyamalan’s Time to Dream

    http://video.google.com/googleplayer.swf?videoUrl=http%3A%2F%2Fvp.video.google.com%2Fvideodownload%3Fversion%3D0%26secureurl%3DpAAAAElGV8IcYoYt1EH0MBIGd3e8kytyeXYrPp3g6yoSfKwUr08kTXh4JElIo_7RRPRvMWAw2NqnONIkGf6IczOiM7n0R1XGEpvkLflfnPzGA3Tja3kbtukT4T91uad9LKwHGABsinUYSPLMwE8aWB5jo6ejH4YendXlSrO8ixtfW6GvkMDqUaoDfV8cYuLlT0AgdZRsqxwpepJeQk_eimExgt7HBE0I2GDpPGfwMmjSNR6b%26sigh%3DOJLJNXTk521EhrMhV0vX8VMsZK4%26begin%3D0%26len%3D121020%26docid%3D8251056578506918574&thumbnailUrl=http%3A%2F%2Fvideo.google.com%2FThumbnailServer%3Fcontentid%3D68e63bff71aacd02%26second%3D5%26itag%3Dw320%26urlcreated%3D1143310794%26sigh%3DRtdVWNgcWRQ7d1NREFanNdBLWHc&playerId=8251056578506918574
    [source]

    Just as endearing and intriguing as his films, this Time to Dream AmEx ad[2 mins] was directed and starred by Manoj Night Shyamalan. He talks to WSJ on making of this Ad.

    Via Hemanth who is just back after a brief hiatus.

  • March 25, 2006

    Savadichuduvaen !!

    Chithiram Pesuthadi

    Savadichuduvaen. He repeats and repeats and repeats that one would think the protagonist’s characterization is a mock by the director. It may not be. Though the story works at various levels, the movie as a whole fails to impress. Chithiram Pesuthadi is full of good ideas that are badly executed. Like Azhagiya Theeye, it’s very earnest but thats it. Nothing more.

    And what’s with re-releasing of this movie ? Oscar Ravichandran probably wants to be potrayed as the savior of tamil cinema. Looks like the very very mediocre ghaana, Vaala Meenukkum is a massive hit back in Tamil Nadu as one could see several people dancing to it during the success meet.

    Sunil aka Narain could have played a role in a Adoor Gopalakrishnan’s film but he doesn’t shine too much with his acting skills. Sometimes his facial expressions are more pronounced and confuse the heck out of a viewer. It’s even more funny that Rediff’s Shobha Warrier calls him as Tamil cinema’s next big thing. She could take some time-off before she writes S J Surya is the next Kamal Hassan of Kollywood. Couple of duets were truly mesmerizing and the theme music reminds me of a Mani Ratnam film. Though being an inspired theme, it aligns to the ‘once-more’ category.

    Myshkin, the director has some neat ideas but due to various reasons, he wasn’t able to pull them all together. The editing was pathetic. To cut a shot a the right frame is an exercise in style. One particular scene happens in the living room of the heroine’s house. There are 5-6 people sitting in that room talking indistinctly. Once they complete talking, the camera slowly pans around the room. As everyone moves away from the scene, the camera cuts to a close-up of the blind woman, pauses for a couple of seconds and then the shot is cut. If you could visualise this scene, you would expect that there is a something related to the blind woman and hence we see a close-up of her. Me too. But unfortunately, nothing happens after that. Was that extra shot present to confuse the viewer or was it an editing loophole ?. There are also rapid editing cuts. I assume the director uses this to increase the pace of the screenplay. Good idea but bad execution.

    Maybe with this success Myskhin come up with a better script and make some dabbu to rope a better team, next time around.

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