In the coming days, one would probably see these images multiple times on the blogosphere as Shankar starts to aggressively market Anniyan through the print media.
Its a kodambakkam culture to release promos via Ananda Vikatan. Kamal in the Iyengaar make-up with a gun appeared on the covers of Vikatan for Hey Ram, Shanmugi with Madisaar appeared similarly. There are many more such Vikatan introductions. Per the classical way, Shankar releases the first ‘different’ pics to Vikatan. I loved the one above. Very different Vikram. I am sure the disappointment of Anniyan’s music will be offset by the visuals. Atleast we hope.
Doesn’t that kick-off the countdown for Anniyan. I have added all the pics from Vikatan here, Faces / Vikram / Anniyan. Thank You Vikatan.
A friend of mine came from India last week. He brought along some Ambika appalams and Manga thokku bottles. I threw them aside and got hold of something else which I wanted desperately. Sujatha‘s Selected Shortstories Part II. He gave me a wierd look and said, “Machan Itha ethukku eduthundu vara sonna ? “. I smiled and started reading the first page. He wasn’t bitten by the Sujatha bug. I was, badly.
It wasn’t until I read Nila Nizhal I went gaga over Sujatha. Like Sidney Sheldon, I was thinking Sujatha was a female writer initially. I was amused when (s)he wrote about teenage bloopers in Nila Nizhal. It was just a beginning and it was there my journey alongwith Sujatha started. From the Purasawalkam’s Tana street potti kadai to Tambaram Sanitorium library to Mylapore Azhwar Kadai, I have bought/read/enjoyed Sujatha everywhere. I even carried a Sujatha novel to my first interview. To read when I got some spare time.
As a teenager, I was quite amazed how could realistically write a teenager’s mind in Aathalinaal Kathal Seiveer and that same amazement follows me through the wineshop scenes of Shankar’s Boys. When I watched Enn Iniya Iyandhira on cable, I had the book in my hand to follow it real close. With Anithaavin Kaathalgal, I was convinced that this guy wrote better romance fiction than many contemporary tamil writers. With Kanavu Thozhirchaalai I was sure that my interests matched Sujatha. I read Madhyamar and started worshipping. Roja, Indian, Mudhalvan, Kannathil Muthamittal and Boys continues to say what an interesting dimension a book writer can bring into a movie. I am still positive that my interests match Sujatha’s. What a stupid statement you would think. I am not bothered. But I relate to him so much. A millions of other fans join me. It’s probably this USP of relating to him makes him supreme than others in Tamil writing scene. Just last week, I completed reading his Madhyamar and Thoondil Kathaigal, again, in the bathroom. Though till day, Guruprasadin Kadaisi Dhinam continues to reamin as my all-time favorite of Sujatha.
Why would directors like Mani Ratnam and Shankar go back to Sujatha when they are savvy enough to pen screenplay & dialogues by themselves. When Mani Ratnam shot Uyire[Dil Se] he discussed the story with Sujatha. Sujatha then wrote the story in a novel format. The format was then converted to screenplay and dialogues were written.
Sujatha’s first story was published in 1954 in a magazine named Sivaji. His next story Athirchi was published six years later in Kumudam. So if we assume 1954 to be his official start date as a writer, he completes 51 years in writing.
I probably cannot finish the post as I have a tsunami of thoughts on his writing. So here’s wishing a man whose brains I would wish to own, A Very Joyous Birthday, as he completes 70 years on planet earth. Here’s Sujatha about himself –