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  • September 2, 2004

    What a Statement – Spielberg about filmmakers/cinema

    Opening up the 61st Venice Film festival, Spielberg‘s speech ahead of the screening his latest flick The Terminal, has cast a magic spell on the audience.

    I loved this piece, Film-makers all over the world have always been there, either to reflect the crisis with very conscientious, historically minded stories, or films of pure escape – science-fiction, fantasy, comedy. These films typically work much better when the world is in flux. The world has shown us that to be a human being you need to be relieved from the headlines. And now there are headlines on every single television channel, sometimes people feel compelled to escape into the movies.

    Thinking of it I’m amazed by his honesty and the genuinity of this consummate statement. More here or at BBC.

  • September 2, 2004

    World Themes for Indian Cinema (Part 6 of 8)

    Co-Blogging Series – Anand C and Lazy Geek

    WAS IT WORTH IT?

    The title of this theme comes from four separate sub-themes or recent events that all lead to one question… (it is taken from the refrain in Richard Bach’s “The One”, which goes – “I gave my life to become the person I am right now. Was it worth it?”)

    1. Febina Mathew sent over details about her upcoming dance adaptation of Tagore’s Chitrangada… a short synopsis:

    Chitrangada is an ancient legend of love and war brought to life with Tagore’s songs, semi-classical music and dances from India. Based on the mythological character of Chitrangada, princess of Manipur, it tells the story of a woman’s urge to transform her to impress Arjuna, the man she loves.

    Chitrangada gives up her warrior image, her valor and manly attributes to embrace a feminine grace under the blessings of Madana. Her transition from Kurupa to Surupa undoubtedly enchants Arjuna. But in the end Arjuna expresses the need to meet the real princess after he learns of her courage from the villagers.

    Chitrangada realizes it is not just beauty but one’s qualities that make a woman liked and loved by a man.

    2. Chitrangada’s conflict and question if the change she went through was worth it,
    is also the theme of the Temple of Fine Arts’ Taj Mahal, which asks -“What if Mumtaz gave up heaven to come to earth and see the Taj Mahal?”– would she eventually give up immortality and continue to live as a mortal in order to experience the monument built for her by Shah Jahan? Was it worth it?

    3. The theme is similiar to Washington Irving’s Rip Van Winkle, who a lot of us have undoubtedly read about in school. After 20 years of falling asleep in the Catskill Mountains, he wakes up to a whole new world… kinda like a olden day version of Austin Powers getting used to the 90s after being cryogenically frozen since the swinging 70s 🙂

    Rip Van Winkle’s dilemma, as he comes back in after twenty years:

    rvw.jpg

    As he approached the village, he met a number of people, but none whom he knew, which somewhat surprised him, for he had thought himself acquainted with every one in the country round. Their dress, too, was of a different fashion from that to which he was accustomed. They all stared at him with equal marks of surprise, and whenever they cast their eyes upon him, invariably stroked their chins. The constant recurrence of this gesture induced Rip, involuntarily, to do the same, when, to his astonishment, he found his beard had grown a foot long!….

    He had no courage to ask after any more friends, but cried out in despair, “Does nobody here know Rip Van Winkle?”

    (more…)

  • September 1, 2004

    Azhagiya Theeye – A Warm Interlude

    Azhaghiya Theeye will not move you, will not make you feel nausea with blood baths, will not make you cry in buckets. It is one of those movies where you might find your spirits lifted because of the very light-hearted subject it represents. Prakash Raj and Radha Mohan need to be congratulated for they managed to produce/direct a good movie in a shoe-string budget.

    At the same time, it is not a very different movie as it is advertised. Such movies have always sprung out of the dark just like Sollamaley or Kannethire Thondrinaal or Agathiyan‘s Kaadhal Kavithai and so so. When you make a movie with at such low costs as what Prakash Raj says you rely on heavily on the story and the actors. Both have done their part well. Be it Prasanna who is caught in an unexpected situation or that Kumaravel as Chitappa, have done a great job in the acting department. Navya Nair would still need some time to apply acting gears.

    What I loved about the movie is the references in dialogues to other movies. From Mannathi Mannan to Boys, the characters continously refer to one or other, the reference to Thiruvilayadal being the best. Radha Mohan should have been a movie buff to have scuh amazing references. Great job dude; from one movie buff to another.

    Prakash Raj seems to have acted this role just after Gilli. Especially when he calls Hi! Chandran, it reminds me of Gilli Muthupandi calling Trisha, Hi! Chellam.

    Amidst the action masalas and the aruvaa times this is certainly a movie that cools you down, a warm interlude.

  • September 1, 2004

    Parthiban approves of piracy for Kudaikul Mazhai

    Never. That title was just to attract the attention just like Parthiban‘s own ways of alternate advertising. His start-up of a promo company Gossip takes care of the promos for Kudaikul Mazhai. The long awaited movie that has triggered expectation by just its trailers, is releasing this friday.

    Today’s dailies featured an adv for Kudaikkul Mazhai. In the ad, Parthiban while approving piracy for his movie, suggests that atleast for the first four weeks if people could restrain from watching pirated video of the movie, the producers can make some money, enough to fix their spendings. An unusual plea. But that’s what you can expect from the very different Parthiban.

    Shankar’s Boys had a similar trailer which bragged on the flamboyant production values of the movie and adviced, if the movie was to be seen in the small screen, it would reduce the entertainment levels. Cheran, for his Autograph had a different request to the public. He said if people were to see the movie as a pirated video, if they liked the movie by chance, they can support the movie by sending the cost of a single ticket to him personally. And they said he did get a lot of mails with money attached. I am not sure if this was true but I did read this news in the magazines.

    As the proverb goes, producers/directors who are unable to control piracy have sought the help of public who play an important role in this regard. This being the status in Kollywood, the Telugu cinedom boasts of having controlled the piracy to a large extent. And my friends who come from that state confirm it’s true. We should probably adapt some best practices from there. But who will answer the mega failure of Gharshana in telugu, the remake of tamil super-hit Kakkha Kakkha. Is that a question to ponder over ?

  • August 31, 2004

    Anniyan and the Chaos Theory

    It’s interesting to read how Writer Sujatha relates Edward Lorenz‘s Chaos Theory to Anniyan‘s premise. Here’s a small example to Chaos Theory known as Butterfly Effect, huge volumes of literature is available on the net. This is the same as what Sujatha’s points out in his column.

    The flapping of a single butterfly’s wing today produces a tiny change in the state of the atmosphere. Over a period of time, what the atmosphere actually does diverges from what it would have done. So, in a month’s time, a tornado that would have devastated the Indonesian coast doesn’t happen. Or maybe one that wasn’t going to happen, does. (Ian Stewart, Does God Play Dice? The Mathematics of Chaos, pg. 141). As given above, the chaos theory is also known as sensitive dependence on initial conditions. This small change in the initial conditions might/can lead to a drastic difference in the final outcome.

    Sujatha gives a relatable example in Katrathum Petrathum and establishes the base fact of Chaos Theory. He also says the premise of Shankar’s Anniyan is based on this Chaos Theory and it says that such very minute carelessness also should never occur. There you go. That triggers my curiosity even more in Anniyan. Should it be probably because of this Chaos Theory, Anniyan is insured for 29 crores, trying to avoid even the smallest mishap in the box-office.

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