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  • September 15, 2004

    Fighting Comment Spam in Blogs

    Online Journalism Review has an interesting write up on the how Bloggers fight comment spam. The article, Bloggers Declare War on Comment Spam, but Can They Win?, talks about the chronology of events leading to this war and few rules of thumb to fight comment spammers.

    Incidentially, I had more than 500+ spammed comments flooding my MT installation. More spams were coming in every day in lots. I had installed MT-Blacklist a month back. And I should say it is one of the best. Jay Allen, the developer of MT-Blacklist is a demi-god. MT-Blacklist fight spams like nobody’s business. It have literally taken out 98% of the comments that are spams. The in-flow of spams has also reduced drastically since then.

    If you are looking for the best-of-the-best solution to comment spam, the practical suggestion, install a blacklisting service.

  • September 14, 2004

    Recipe for Writing : First, Get a washing machine

    This column of GV Krishnan in Zine5 is noteworthy. Starting from rounded pencils, washing machine sounds to heavy metal music, the strange habbits of writers required while writing, truly amuses. I remember, Writer Sujatha mentioning in one of his columns that there are such oddities in a writer’s life and the only thing he always required was the compulsion of a deadline to write.

    Art Buchwald, they say, cluttered his office with something else – bundles of fan mail, with the most interesting among them stuck on the office walls. Among the certificates that found wall space were the ones that said – ‘Are you a writer or an idiot?’, ‘You stink,’ and ‘We girls think you most contemptible; go to hell.’

    The above are the lines from the column Recipe for Writing : First, Get a washing machine. I laughed thoroughly. Read More.

  • September 14, 2004

    Is Chennayil Oru Mazhai Kaalam a rare Phenomenon ?

    Sify reports that the second coming together of Gautam & Surya may not happen. Looks like their Chennayil Oru Mazhai Kaalam is dropped. Gautam gets to direct Kamalhassan on his next venture and Surya gets to act in a Bala’s production.

    The teaser pics of Chennayil Oru Mazhai Kaalam looked near perferct with Surya – minus moustache + a guitar + extraordinary lighting. It’s a sure shot miss.

    Update: The Co-Blogging Series World Themes for Indian Cinema marches forward in the Guest Blog. A well written commentary on the Broadway edition of AR Rahman’s Bombay Dreams by Ashok Rajamani is also up there.

  • September 13, 2004

    Rajaavin Ramanamaalai – A surprise superhit ?

    This Illayaraja album on Ramana Maharishi was one of my favorites. Simply because of the maestro’s devastating divine voice and it’s metaphysical lyrics that goes beyond ones grasp. One song called Bhikshai Paathiram Yendhi Vandhen is the highlight, atleast for me. We had this tape in our house and it was a part of my routine to listen to it before I would leave to my college. Over years, the tape worn out and was completely unfit to be played on a audio system of any sort. I had bought this when I had been to Thiruvanaamalai.

    With CDs occupying the shelves these days, our old Philips Powerhouse was to be thrown out. To keep it alive, yesterday, I had to take the tape recorder for a service. I remembered this song of Illayaraja, by a chance. Today I had been to the store looking for this same CD/tape. When I asked if I could get Rajavin Ramanamaalai, the sales woman asked me to come tomorrow. All the time, I was thinking that this cassette would be out of existence as I haven’t heard/read people talking about it, ever. But to my surprise, she said a complete new stock of those CDs have just come and they are still taking inventory. She also asked me to come tomorrow itself, the tomorrow was stressed. When she told this album of Raja was one big hit and everytime they get a new stock, they run short of it in couple of days, I couldn’t believe.

    While I had no surprises with the album’s musical quality, I was quite surprised that it was still a major hit. Some people’s music last long. Illayaraja stands first among equals.

  • September 13, 2004

    Kudaikkul Mazhai – Creativity Floods Over

    Kudaikkul Mazhai isn’t science fiction but can be classified as one. The recent post of science fiction has nothing to do with this. After the movie, while I was biking down, this was the first thing I realized.

    While the concept of Schizophrenic delusion is relatively an infant in Tamil films, we have had quite a few number of films that have dealt with Schizophrenics. Kamalhassan‘s Aalavandan edged on this issue. Parthiban‘s Kudaikkul Mazhai deals in-depth with a Schizophrenic. It doesn’t make a documentary out of a him rather it sits inside his head and give the audience a first-hand experience of Schizophrenic delusion. While there could be many comments/suggestions on how the movie could be taken better, Parthiban needs a huge pat for venturing and trying his hand on this zone, tactically.

    With just two characters occupying the screen for most of the time, Parthiban’s lead role can be regarded as one of his best. That old man in Houseful movie is still his best, in my opinion. Karthik Raja, doesn’t come short in the background score, like the songs. The theme music and it’s picturisation being one of the best scenes of the movie. The song Adiye Kiliye written by Parthiban and sung by the Maestro himself is enticing.

    The art direction plays a very important role. The house in which Parthiban moves around has been very very creatively made that you find the most unusual thing in the most unusual place. Each frame has so many different things that you may be blink to grasp the idea behind them. The paintings and the animals in the house are symbolical, very tough-to-grasp at the first sight. The creative juices has overflown and it literally reaches above-the-head (my head, not yours). The tilted empty ink bottle pasted to the wall, the clock on the roof, the huge Coffee-day tissue framed on the wall, the nice drawings on the cardboard talk about Parthiban and his team’s hard work.

    The drawback may be the script. There are obvious shots like the bearded Parthiban doing something and a Maruthi Car zipping near the telephone booth that literally gives out the suspense of the movie. If meticulously seen one could understand the hallucination plot which makes the rest of the movie a long wait for the climax. It’s inevitable for someone to see shades of Guna and Kadhal Konden in the second half of the movie. Also the script could have been cut short at various places to avoid the feeling of a drag, especially the twin of Parthiban who comes from Sinapore, talks his life, throughout. However, I liked his reference to Pattinathaar songs before he gets a bullet onto his body .

    The titles show Rudhran to be an assistant director of this movie. This famous psychiatrist, is known for his talk show that he made for Raj TV called Unnai Arindhaal. He also explains the protagonists case in the end of the movie. Rudhran’s help in unleashing the mind of a schizophrenic is clearly visible throughout.

    With that well targetted trailer and the publicity, Kudaikkul Mazhai, half-crossed the well of success. With a slight overdose of creativity, it crosses the other half, but not as expected. Excitement is assured if you walk into the movie hall without expectations.

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