
[Pic: terminal movie]
Steven Spielberg, other than creating visual magnificence’s in his movies, has also a soft side. The last few films, spoke of it, way too much. Despite the soft side was even well known from Schindler’s List and Amistad, the last four/five films have brought out an interesting side of Spielberg. Having been inspired hugely by Spielberg films, I’ve created myself, a personality of Spielberg to be a technical showman. And Schindler’s List was nothing but a different film for this showman. But Artificial Intelligence and Catch Me If you Can broke those assumptions on him. They showed how Spielberg has grown-over the techie image. I believe, Spielberg has evolved into a style of filmmaking that allows him to take a simple story and weave it into an amazing masterpiece.
The Terminal is one such film. More than the premise of the story, the humane side stands out, clearly displaying the different arena of film making, where Spielberg now treads. The film talks about a man who gets stranded in the JFK Airport, New York because of a legal logical hole in the law. No one could do anything about it, just like Victor Navorski. He couldn’t get anywhere. He abides the law, stays in the airport terminal for months and finally gets a chance to step in the American soil. What would he do ?

