kirukkal.com

  • about
  • archive
  • all that is
  • photoblog
  • October 1, 2004

    Poongatru Thirumbuma ?…

    Sivaji Vs Sivaji in Gauravam
    [Pic: hindu.com]

    Not many would be as lucky as us to witness this greatest actor of the last century. If you think that Sivaji Ganesan shouldn’t be called like that, you hadn’t probably seen the essence of his acting, still.

    There are lot of movies that one could re-collect, while talking about Sivaji. Apart from all those Paasamalar, Paavamaippu types, which I love, there are a couple of movies that I feel that were radical in Sivaji’s career.

    One, Uthama Puthiran which re-defined tamil cinema’s horizon. Sivaji in dual roles, as the vivacious and the pleasant Parthiban, was at his best. Especially as Vikraman he displayed plethora of emotions and also paved way for splendiferous anti-hero roles. Who would forget the classy moving camera shots and the amazing Yaaradi Nee Mohini dance sequence. It was well ahead of time and was path breaking.

    Two, Muthal Mariyadhai which showed that Sivaji has grown over period and has learnt the art of adapting roles that would well suit his age. It was in a way the making of the older Sivaji. Bharathiraja‘s taste for village romance and Sivaji’s tact of getting deep into the skin’s character met chords. The old man – young woman romance of Mudhal Mariyadhai was in a way a brisk effort by Bharathiraja and Sivaji elevated the movie to different heights. Forget not the excellant performace ‘foul mouthed’ Vadivukarasi. And ofcourse, the Poongatru Thirumbuma wonder song by Illayaraja. Chef-d’oeuvre.

    Having lost Sivaji Ganesan to the good old destiny, I couldn’t wish him Happy B’day Dude!!, rather earn for his return to the acting deprived Kollywood. Hence will that Poongatru Thirumbuma [breeze come back ] ?.

  • October 1, 2004

    The Zen of Blogging

    Blogs mean different things to different people. And the advantage is that you can write about `anything’. There are no rules and no boundaries. I can write a blog about how painful it is to wait for 10 minutes with three others for the office elevator and land on the wrong floor (It sucks!). This might not mean anything to you, but probably, someday in the distant future, someone who has had a similar experience might relate to it.

    The Hindu yet again ex-posits on Blogs. This time it’s called The Zen of Blogging.

  • September 30, 2004

    Manichitrathazhu becomes Chandramukhi

    Fazhil’s malayalam superhit Manichitrathazhu becomes Chandramukhi in tamil. What could be a more welcoming move than this ?

    If Manichitrathazhu can be judged as one of the best yester-year classic, it’s adaptation should be sized-up more than it. This is second Fazhil‘s film being adapted for Rajini, the first one being Thenmaavin Kombathu which was re-made as Muthu, a few years back.

    I have often wondered why Manichitrathazhu, was never re-made into tamil. Mohanlal‘s psychiatrist role can feed Kamalhassan‘s quest for better roles. Now, when it is adapted for Rajini, it would probably change to acknowledge Rajini’s image in Tamil Nadu but we can be sure it will be outright entertainer. Finally, a Rajini fan’s wish for a full-time comedy movie is met. Happy.

  • September 30, 2004

    Shyam Benegal and the art of admiration

    shyam benegal
    [Pic: hindu.com]

    Shyam Benegal‘s interview to Business-Standard is one of the best interview columns I’ve read in the near past. It’s as refreshing as the energy he holds.

    With his latest grand movie Netaji Subhash: The Last Hero, set to hit the screens soon, he talks about his admirations towards Indian cinema and it’s film makers. He admires many of his contemporaries and also the new comers in the same level. From Satyajit Ray to Gurinder ‘Beckam’ Chadha to the mushy mushy Karan Johar, his admiration levels shows his broad spectrum of liking towards Indian Cinema. He was very right when saying about Mani Ratnam, “He is an intelligent filmmaker, with a good control over the medium, and Nayakan is my favourite”. And expectedly he has so much to say on Ritwick Ghatak.

    “Younger directors,” he continues, “are looking at cinema in a entirely different way. Their attitude is different.” How so? “For the older filmmakers, tradition was not be touched and whatever you did, ultimately you had to accept tradition. This is particularly true of the 1960s, 1970s and 1980s. But the younger lot grapple with tradition, much like they did before Independence.” Good he said that and now wait for the arguments to suffice from the oldies. It’s Engrossing. I would have expected that such an sweeping interview would happen with the filmy magazines. He finally opened up with the Business-Standard. Film magazines can go dump themselves. But you read ahead.

  • September 29, 2004

    Informatica proves yet again !!

    Informatica proves yet again !! – Informatica, the Data Integration Software giant along with CNA, Wins DM Review’s 2004 World Class Solutions Award for its successful implementation of Informatica’s market-leading data integration software. The World Class Solution Awards are symbols of excellence within the business intelligence and data warehousing industry. This piece of news reassures Informatica’s presence among the top notch Data Integration software providers. Cool news guys.

    Seven Reasons Why Businesses Should Blog Now. Makes Sense.

←Previous Page
1 … 221 222 223 224 225 … 316
Next Page→
  • about
  • archive
  • all that is
  • photoblog
  • Subscribe Subscribed
    • kirukkal.com
    • Join 26 other subscribers
    • Already have a WordPress.com account? Log in now.
    • kirukkal.com
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar