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  • October 11, 2004

    Bala’s Maayaavi & Shankar’s Maayaavi

    Surya and Jyothika in Maayaavi
    [Pic: vikatan.com]

    The only Maayaavi [Magicial Man] I knew was a comic hero with the same name in yesteryear tamil comics. But this one is the first film Bala’s production house B Studios. The movie will be directed by Bala‘s assosiate Singapuli.

    Mayaavi teaser pics in Vikatan seem to have kindled the interest of many as Surya dressed like as an aspiring hero from a village. He looks comical with that thin moustache and that ridiculed hair style. Jyothika looks rejoiced. You know why. The ads today state the film starts shooting today with Rathnavelu handling the camera and Devi Sri Prasad on the tunes.

    On the other hand, Sujatha writes in his vikatan column about the 120 cameras, one shot, different frames stunt that Shankar experiments in Anniyan. With that kind of technique, one is certain to believe that Anniyan is also a Maayaavi. The one that I referred to from tamil comics. Read more.

  • October 9, 2004

    The Terminal Movie Review – Go Nowhere

    Tom Hanks in The Terminal
    [Pic: terminal movie]

    Steven Spielberg, other than creating visual magnificence’s in his movies, has also a soft side. The last few films, spoke of it, way too much. Despite the soft side was even well known from Schindler’s List and Amistad, the last four/five films have brought out an interesting side of Spielberg. Having been inspired hugely by Spielberg films, I’ve created myself, a personality of Spielberg to be a technical showman. And Schindler’s List was nothing but a different film for this showman. But Artificial Intelligence and Catch Me If you Can broke those assumptions on him. They showed how Spielberg has grown-over the techie image. I believe, Spielberg has evolved into a style of filmmaking that allows him to take a simple story and weave it into an amazing masterpiece.

    The Terminal is one such film. More than the premise of the story, the humane side stands out, clearly displaying the different arena of film making, where Spielberg now treads. The film talks about a man who gets stranded in the JFK Airport, New York because of a legal logical hole in the law. No one could do anything about it, just like Victor Navorski. He couldn’t get anywhere. He abides the law, stays in the airport terminal for months and finally gets a chance to step in the American soil. What would he do ?

    (more…)

  • October 8, 2004

    Blogstreet India had sent me

    Blogstreet India had sent me a mail saying that this blog was featuring as Blog of the day, today. Thanks !! You guys made my day.

    India Blogstreet has been live for sometime now and they have been consolidating Indian Bloggers to provide one centralised place for all-about-indian-blogs, inclusive of ranking to RSS. With the current number of Indian Blogs closing in at 900 and given the fact, the media has started talking about blogs extensively, blogs might increase exponentially. This service might become just like a portal to blogs/indian blogs. Great Job !!

  • October 7, 2004

    Swades Music for We, the People

    Sharukh, Swades and Junta

    A R Rahman and Ashutosh are back and their combo is working magic up the charts. Rahman’s music for Ashutosh’s Swades (not the english swades but the hindi swa des) has its moments of brilliance.

    If you weren’t aware then, Swades, as defined by Ashutosh Gowariker, is a movie that talks about Mohan Bhargav [Shah Rukh Khan] who realises it’s high time we stop dreaming about greener pastures abroad and giving a blind eye to our responsibilities at home.

    (more…)

  • October 6, 2004

    Chellamay !! – Intelligent Rehash

    Bharath

    It’s the time of rehashes. With the recent kollywood heroes(namely two, guess who ?) movies being re-made from re-made movies, Gandhi Krishna has certainly delivered a re-hashed movie, with lots of interesting moves in the script. Chellamay, may well be called Kadhal Konden 2.0, except for variance the director has shown in the script and the backdrop of the movie is a lot different from the original.

    If Selvaraghavan, used a orphan kid, to talk about possessiveness, love, affection and sympathy between the kid and a girl of his same age, Gandhi Krishna makes a similar relationship a little complex. The girl with whom the protagonist or anti-hero(however you may call), is related to, is an elderly mother-figure for him. Worse, she is also married. So we have a true hero here, too. However one is prone to get miffed by the perplexed situations that doesn’t tell you for a long time, how the hero considers his relationship with girl.

    (more…)

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