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  • September 13, 2004

    Kudaikkul Mazhai – Creativity Floods Over

    Kudaikkul Mazhai isn’t science fiction but can be classified as one. The recent post of science fiction has nothing to do with this. After the movie, while I was biking down, this was the first thing I realized.

    While the concept of Schizophrenic delusion is relatively an infant in Tamil films, we have had quite a few number of films that have dealt with Schizophrenics. Kamalhassan‘s Aalavandan edged on this issue. Parthiban‘s Kudaikkul Mazhai deals in-depth with a Schizophrenic. It doesn’t make a documentary out of a him rather it sits inside his head and give the audience a first-hand experience of Schizophrenic delusion. While there could be many comments/suggestions on how the movie could be taken better, Parthiban needs a huge pat for venturing and trying his hand on this zone, tactically.

    With just two characters occupying the screen for most of the time, Parthiban’s lead role can be regarded as one of his best. That old man in Houseful movie is still his best, in my opinion. Karthik Raja, doesn’t come short in the background score, like the songs. The theme music and it’s picturisation being one of the best scenes of the movie. The song Adiye Kiliye written by Parthiban and sung by the Maestro himself is enticing.

    The art direction plays a very important role. The house in which Parthiban moves around has been very very creatively made that you find the most unusual thing in the most unusual place. Each frame has so many different things that you may be blink to grasp the idea behind them. The paintings and the animals in the house are symbolical, very tough-to-grasp at the first sight. The creative juices has overflown and it literally reaches above-the-head (my head, not yours). The tilted empty ink bottle pasted to the wall, the clock on the roof, the huge Coffee-day tissue framed on the wall, the nice drawings on the cardboard talk about Parthiban and his team’s hard work.

    The drawback may be the script. There are obvious shots like the bearded Parthiban doing something and a Maruthi Car zipping near the telephone booth that literally gives out the suspense of the movie. If meticulously seen one could understand the hallucination plot which makes the rest of the movie a long wait for the climax. It’s inevitable for someone to see shades of Guna and Kadhal Konden in the second half of the movie. Also the script could have been cut short at various places to avoid the feeling of a drag, especially the twin of Parthiban who comes from Sinapore, talks his life, throughout. However, I liked his reference to Pattinathaar songs before he gets a bullet onto his body .

    The titles show Rudhran to be an assistant director of this movie. This famous psychiatrist, is known for his talk show that he made for Raj TV called Unnai Arindhaal. He also explains the protagonists case in the end of the movie. Rudhran’s help in unleashing the mind of a schizophrenic is clearly visible throughout.

    With that well targetted trailer and the publicity, Kudaikkul Mazhai, half-crossed the well of success. With a slight overdose of creativity, it crosses the other half, but not as expected. Excitement is assured if you walk into the movie hall without expectations.

  • September 12, 2004

    The Ada Ad – 199 ? 19.9 ? 19.9.2004 ?


    [Click on the image to enlarge it]

    Does that seem confusing ? It really is. This Ada !! Ad that has been overworking on every Chennaite’s brain for the last month, is finally going to be out on 19 Sep 2004.

    When it intially appeared as Ada !! in the top of the ad and 199 at the bottom, everyone thought it was a prepaid mobile service ad. But after a few weeks, Ada ver 2.0 released, number 199 mentioned below was changed to a decimal 19.9. Today’s papers sport the Ada ver 3.0 that has the date 19.9.2004. So finally on the 19th, the secret will be unleashed and chennaite’s can stop thinking!!.

    We have had several Ads in the recent future like this like the famous Hutch Ad which came with just a Hi !! on the boards, the most famous AIDS prevention Ad Pulli Raja and ofcourse the Suryan FM. My intiall guess was that it was a Pothys Textile Ad because it has the Pothys green in the background. Then when I saw the number 199, I thought, like others, it was a pre-paid mobile service Ad. Now, I’m clueless. I am still waiting to find out what it is. One more pic on lazygeek photoblog.

    Only guesses in the comment box, Please. And hey, by a freak chance, if you are the Ad maker, or connected to this Ad company please dude, restrain from commenting. Let the guesses flow through.

    This is one real Ada ad!!.

  • September 11, 2004

    “Chaiya Chaiya” on the Noo Yaak A Train – A review of Bombay Dreams

    [ by Ashok Rajamani (donkeytiger@gmail.com) ]

    A Brief Intro – Ashok grew up commuting by the 12B pallavan. A materials engineer by trade, he is now a rootless wanderer in the States. He believes regional languages have the best in Indian Writing, and that Indian cinema could still stop being so intoxicatingly static. Someday he plans to settle in a South Indian Temple town, and revive the Swatantra party. Though for the near future, he shall remain a ravenous capitalist.

    “Chaiya Chaiya” on the Noo Yaak A Train

    “Shakalaka baby, Shakalaka baby, don’t Shakalaka with me.” So goes the lines of a song set to AR Rehman‘s music in the Broadway extravaganza Bombay Dreams. The lyrics, if you are care, are by one Don Black. This is not going to be a relentless negative critique of Bombay Dreams. Bombay Dreams is a mixed bag and even after the hindsight of one whole week, a general “yes or no” fatwa cannot be issued.

    A musical is basically a story with minimal script and lots of music. A critical difference from Bollywood movies is that the singing tends to move the story along. The Oscar winning movie “Chicago” is based on a musical of the same name. Musicals are released in theatres in Broadway-New York, while there is a parallel musical scene in London too. Not more than 2-3 big budget musicals are released every season. Though some of the longest running musicals like “Phantom of the Opera” and “Cats” have been running for something like 10+ seasons, most don’t survive the first season.

    Bombay Dreams came to the US after two moderately successful seasons in London. It is based on Rahman’s music. Andrew Lloyd Webber and Shekhar Kapur are supposed to have made some vague contributions. Meera Syal (of “Goodness Gracious Me” fame) is credited with the story though she probably wrote it on the back page of a plane ticket on one lazy afternoon. Therein lays the problem with Bombay Dreams. Bombay Dreams is constructed as a parody of a typical Bollywood masala movie but what if the original product itself is perceived (by the regular American) as a parody?

    (more…)

  • September 11, 2004

    I liked this just-one-page-redesign of

    I liked this just-one-page-redesign of Anil Dash called which made it seem like a Google search page. Here’s one more Googlish page from his links archive, probably the one that should have inspired him. Google must probably be happy that he have entire sites designed like them.

    The Mirchi Bazaar is here in Chennai Trade center. They promise to make the consumers get happy with their range of stalls. Chellamay releases. The latest ad of Chellamay that sports the baby pictures of the entire cast/crew looks cute.

    Happy Weekend Dudes!!.

  • September 10, 2004

    Sujatha and Science Fiction

    sujatha's science fiction
    [Pic : hindu.com]

    On an internet chat session with Writer Sujatha, the discussion went over to science fiction and my obvious response was that Bharathi was one of the earliest tamil science fiction writers of the last century. His science fiction poem[as I prefer to call it] Bharatha Desamendru popularly known as Sindhu Nathi Inisai, was written with a lot of forethought.

    Sujatha replied that the pioneers of science fiction in Tamil were Kalki and Puthumai Pithan. Kalki’s Mohinitheevu and Puthumai Pithan’s Kadavulum Kandasaamy Pillayum could be identified as the intial science fiction stories. But even after decades after these stories, it was Sujatha who made science fiction as genre in tamil books. Having written science fiction novels including Enn Iniya Iyandira and Meendum Geno, he has also written many science fiction short stories at various occasions for various magazines.

    Manushya Puthiran’s Uyirmmai Publishers have released a collection of Sujatha’s science fiction shortstories during earlier this year. I have to say that the shortstory Thimala is one of my favorite shortstory of Sujatha after his all-time best Nagaram. However Thimala is a science fiction and is included in this collection.

    Even if an author is ignorant of scientific facts, as long as he observes “internal consistency”, if it obeys social and structural rules within the plot, the story will be accepted, says Sujatha. He invites greater exploration of this genre which flouts tradition and invites a re-evaluation of old-fashioned viewpoints. This is a passage from a good review of this Sujatha’s Vingnana Chirukathaigal written by Prema Srinivasan, can be read here in The Hindu or a reproduction of this in Desikan’s blog here.

    On an another note, last week, I did buy one of Sujatha’s best written analysis called Kadavul Irukiraara ? which was serialised in a fortnightly called Vin Naayagan. I vaguely remember that Madhan was also involved in the effort of this magazine. The magazine has been stopped now and I was one of the regular readers of Vin Naayagan for this amazing column of Sujatha. This is now available as a book.

    On another note, his Junior Vikatan column Yen ? Yetharkku Yeppadi ? – Part II and Vikatan column Katrathum Petrathum – Part II have just been released by Vikatan publication. A must read/buy if you a Sujatha fanatic.

    This anecdote of Sujatha sums up his witty and serious social sense. Thanks to Latha for passing on that. When his flight took off from Bangalore, he could see water allover from a bird’s eye view and just after half hour while it was landing in Chennai, he could see just empty buckets in a queues, waiting for water. So he wrote Arai Manikkul Ithanai Paarapathchamaa. WOW!!

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