The process of creating a successful potboiler lies in the art of creating an interesting storyline. While a successful film stops there, a super hit goes into unraveling the interesting story with lots of twists thereby doping the audience. Though how much ever Perarasu sounds completely crass and cliched when they display a title, Story Sceenplay Dialogue Lyrics Direction – Perarasu, has managed to create an acceptable masala that is certain to end up as a Super HIT.
Sivakasi is coming together of a divided family and this ain’t new for kollywood for we have been witnessing this since Kudiyirundha Koil. As a change, the movie starts in the Ranganathan Street of T.Nagar and travels to the village for a climax. Offlate, the stories from villages come speeding towards a city, this story actually is a relief as the second half is set in a village. The speedy second half would actually cover-up for the comedy drag in the first half and when the people come out of theatres, they would certainly look at Sun TV cameras and repeat, “Sir, Padam Super”. The winner is actually AM Ratnam. While a successful movie always reward nearly everyone, AM Ratnam manages to get a super hit from every alternate movie.
Exactly on the fifth minute, an iron door is cut with a gas burner and an image walks out. The camera pans in wide angle from the shoe to show the face. The camera wantedly shakes and a loud harmony of Oh !! Oh !! continues in the background. Few minutes later, the mechanic kid says, “Anney!! Oru anju thadava turn pannunganney”, our hero actually turns five times with a ready-made music of vishk vishk vishk. Irrespective of your movie philosphies, you tend to enjoy just these supremely exaggerated shots and willing to watch this angry young man in action. By the time, our hero reaches for the kumkum plate and make a thilak on his forehead, you are sucked into an idiosyncratic world of Super Stars. With Vijay, An HEIR to the Super Star arrives.
Heroism in kollywood terms, comes easy to Vijay. He is graceful, cool and is on his best when the story requires him to display heroism. This is the third of Vijay’s good movie in the last 3 years. After Thirumalai it was Gilli and now its Sivakasi. Vijay has nearly perfected the rajini pattern and infact I should say he says that loud in few scenes like when he is throwed onto the throne as in Rajini Muthu. Also when he pronounces, Unmaiya Sonnen while vishking his finger. With the boy-next-door looks and a typical dravidian face, Vijay will be celebrated like Rajini. Vijay who is 30 has an advantage of starting early. Vijay is here to stay provided if he doesn’t get carried away in doing ‘different’ movies. I only wish those crappy dialgoues on ‘how to be a girl’ are most avoided.
Prakash Raj actually increased the value of the film. With his role similar to Gilli if not the same, he out performs most of others in the movie. As they say, only when you have a Nambiyaar, MGR can become a hero, Prakash Raj is a must have for such movies. Asin is the heroine. Asin is the heroine. Asin is the heroine. Nothing much about this girl who even laughs in malaylam. The comedy gang spear-headed by the ‘hari-giri’ Chittibabu does a neat job. Prakash Raj’s sidekick, the guy with the beard is actually funny. And as many believe, the director just ensembled the hit characters of the recent commercial hits and brought them together in one movie. The songs and dances are certainly cool and reminding me of Dhill, Gilli, Dhool and Thirumalai.
If you are all out for the movie, you will enjoy, clap hands and whistle along with the crowd and I did miss watching this movie in Kamala among numerous Vijay fans. Have a mighty timepass !!