I actually didnt like the expression of AB at the end but who cares. Usually the first look of any Mani Ratnam movie has no resemblence to any other movies, other than his own. But this teaser reminds me of Omkara, don’t know why. Nevertheless, good hype so far.
I like some parts of Cheran’s work but I never thought I would look forward to a film in which he stars. If not for Myshkin, this still photograph from Yudham Sei wouldn’t have landed here. Its only films like these that I look forward these days and not the Yendhiran types. Maybe I’ve grown old but hype works only in your twenties.
I hope Myshkin’s previous unreleased film, Nandalala hits the screen very soon. If not, the producers should release it direct-to-DVD.
Myshkin is by far my biggest hope of tamil cinema followed by or preceded by, in some cases, Selvaraghavan. Oh yeah, there is Mani Ratnam, as always.
However, it seems the news from Chennai is heartening and very encouraging, according to Gulzar . He was in Chennai working on a song for Raavana with Mani and A R Rahman when Mani’s health scare occurred. Mani was revved up and energetic as Gulzar and Rahman argued and collaborated over the perfect words for the tune.
Gulzar said, “Mani complained of uneasiness. We presumed it to be nothing more than creative anxiety. We all get restless and nervous when we are working intensely on a project. We had no clue it was a health issue.”
After a while, fidgety and restless, Mani left the recording studio alone and checked himself quietly into the Apollo hospital. That, according to Mani’s close friends, is the filmmaker’s style. He never draws attention to himself. Normally no matter how private a person, he would immediately ask someone to accompany him to a doctor if there was a health alarm. The super-reclusive Mani actually went all alone to Appolo.
2007 was a good year for Kollywood. Ram’s Katrathu Thamizh, Ameer’s Paruthi Veeran and Vetrimaran’s Polladhavan were all released during this year. It was the year of directors and new comers. And so Vijay Awards 2008 was also just so neat. It had the perfect host, Yuhi Sethu. Vetrimaran was the director of the year. Paruthiveeran was the movie of the year and Sreekar Prasad got the best editor award for Katrathu Thamizh. Except for mishaps like Sivaji and Pokiri, it was a fabulous year for good Tamil cinema.
And what a night it turned out to be when the final award, Lifetime Award for contribution to Indian Cinema was given away to Mani Ratnam. As usual, the man of few words, spoke less than few words.
Vijay TV probably makes the best montage among Tamil cable channels. This montage on Mani’s films was short but well edited. I only wish, they made a full length candid interview with Mani Ratnam just like the one with Writer Sujatha. This video will be a treasure until such interview is made in future.
I rejoiced when mr.nayakan walked away with that prestigious award. It made my day !!
I have scripted the first 20 scenes of Guru. Mani bought me a ticket and asked me to go to England, where my sister lives. He sent me blank paper and some ideas, so it was a paid holiday. Mani grew up in the city, whereas I am from a small village even though my family was full of lawyers. I went to a government school and know the nuances of village life better. Guru is a village film in the beginning, before it shifts to the city.
Mani wanted me to work in Anjali, but he thought even that wasn’t good enough for me. He wanted to have something substantial to cast me. I would like to be directed by Mani Ratnam but, of course, it is not a big deal. I know the man. I think Balachander will make me act better. Mani’s characters will be good but, when it comes to performance, I think Balachander is even better; or, for that matter, Bharati Raja, Mahendran or Kranti Kumar. Mani has considered me for many of his films — Mouna Ragam, Nayagan (for the daughter’s role). He is a good director — he does not need a co-director. He just needs help with writing so he can concentrate on the making. I wrote the dialogues for Iruvar.